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DTSTART:20180311T030000
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DTSTART:20181104T010000
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DTSTAMP:20181016T212505Z
UID:A5ACD793-43CF-45AE-9E5E-9FDFDD528DA4
DTSTART;TZID=Canada/Eastern:20181016T160000
DTEND;TZID=Canada/Eastern:20181016T170000
DESCRIPTION:IEEE PLES&amp;CE joint Chapter/Toronto Section invites you to the f
 ollowig DL event:\n\nThe dream of high fidelity continues since more than 
 100 years. In the last decades\, signal processing has contributed many ne
 w solutions and a vast amount of additional knowledge to this field. These
  include\n\n- simple solutions like matrix multichannel systems\,\n- audio
  coding which changed the world of music distribution and listening habits
 \n- active noise control\n- active modification of room acoustics\n- searc
 h and recommendation technologies to find your favourite music\n- and many
  more …\n\nSo are there any problems left to be solved?\n\nAmong others\
 , I see two main research areas:\n\n- Music Information Retrieval (MIR)\, 
 helping us to find and organise music\, or teaching playing musical instru
 ments\n- Immersive technologies for movie theatres and eventually our home
 s\, creating the illusion of being at some other place\n\nFor such systems
  we use our knowledge about hearing\, especially how ear and brain work to
 gether to form the sensation of sound. However\, our knowledge about heari
 ng\, about psychoacoustics is still far from complete. In fact\, just in t
 he last few years we have learned a lot about what we don’t know.\n\nThe
  talk will touch on a number of the subjects above\, explain some current 
 work and its applications and finally talk about open research questions r
 egarding psychoacoustics and the evaluation of audio quality.\n\nCo-sponso
 red by: Mahdieh \n\nSpeaker(s): DR. Karlheinz Brandenburg \, \n\nRoom: 428
 7\, Bldg: Bahen Center of Information Technology\, University of Toronto 4
 0 St. George Street\, Toronto\, Ontario\, Canada\, M5S2E4
LOCATION:Room: 4287\, Bldg: Bahen Center of Information Technology\, Univer
 sity of Toronto 40 St. George Street\, Toronto\, Ontario\, Canada\, M5S2E4
ORGANIZER:madie.tag@ieee.org
SEQUENCE:5
SUMMARY:Audio and Acoustics Signal Processing: the Quest for High Fidelity 
 continues
URL;VALUE=URI:https://events.vtools.ieee.org/m/176976
X-ALT-DESC:Description: &lt;br /&gt;&lt;p&gt;IEEE PLES&amp;amp\;CE joint Chapter/Toronto Se
 ction invites you to the followig DL event:&lt;/p&gt;\n&lt;p&gt;The dream of high fide
 lity continues since more than 100 years. In the last decades\, signal pro
 cessing has contributed many new solutions and a vast amount of additional
  knowledge to this field. These include&lt;/p&gt;\n&lt;ul&gt;\n&lt;li&gt;simple solutions li
 ke matrix multichannel systems\,&lt;/li&gt;\n&lt;li&gt;audio coding which changed the 
 world of music distribution and listening habits&lt;/li&gt;\n&lt;li&gt;active noise co
 ntrol&lt;/li&gt;\n&lt;li&gt;active modification of room acoustics&lt;/li&gt;\n&lt;li&gt;search and
  recommendation technologies to find your favourite music&lt;/li&gt;\n&lt;li&gt;and ma
 ny more &amp;hellip\;&lt;/li&gt;\n&lt;/ul&gt;\n&lt;p&gt;So are there any problems left to be sol
 ved?&lt;/p&gt;\n&lt;p&gt;Among others\, I see two main research areas:&lt;/p&gt;\n&lt;ul&gt;\n&lt;li&gt;
 Music Information Retrieval (MIR)\, helping us to find and organise music\
 , or teaching playing musical instruments&lt;/li&gt;\n&lt;li&gt;Immersive technologies
  for movie theatres and eventually our homes\, creating the illusion of be
 ing at some other place&lt;/li&gt;\n&lt;/ul&gt;\n&lt;p&gt;For such systems we use our knowle
 dge about hearing\, especially how ear and brain work together to form the
  sensation of sound. However\, our knowledge about hearing\, about psychoa
 coustics is still far from complete. In fact\, just in the last few years 
 we have learned a lot about what we don&amp;rsquo\;t know.&lt;/p&gt;\n&lt;p&gt;The talk wi
 ll touch on a number of the subjects above\, explain some current work and
  its applications and finally talk about open research questions regarding
  psychoacoustics and the evaluation of audio quality.&lt;/p&gt;
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