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DTSTART:20230312T030000
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DTSTART:20231105T010000
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DTSTAMP:20230422T001855Z
UID:FA0431D3-E86F-481A-9782-6F2C92AB712F
DTSTART;TZID=America/New_York:20230420T200000
DTEND;TZID=America/New_York:20230420T213000
DESCRIPTION:Music is an art\; a performing art\; and a fundamentally nonrep
 resentational performing art. Each of these characteristics has a profound
  effect on how musical information can be represented and therefore on how
  it can be retrieved. As an art\, numerous works in a given medium use the
  same elements\, but artists creating new works use them in novel ways alm
 ost constantly. In general\, a performance of a musical work is not the wo
 rk itself. Any performance is simply an instantiation in sound of the work
 \, one of a myriad of possible instantiations. The work itself can be desc
 ribed by music notation in what is called a score. Finally\, being nonrepr
 esentational means that everything is abstract: music need not be\, and us
 ually is not\, focused on objects from the real world.\n\nThis talk will a
 lso briefly discuss retrieval of music from common representations\, inclu
 ding both audio and the remarkable edifice of Conventional Western Music N
 otation (CWMN). The talk will show examples of notation produced by an exp
 erimental version of the Nightingale music-score editor\, notation that fo
 r the first time enables CWMN to represent precisely what happens during a
  note.\n\nSpeaker(s): Don Byrd\, \n\nRoom: Room 105\, Bldg: Computer Scien
 ce Building\, Princeton University\, Princeton\, New Jersey\, United State
 s\, 08544\, Virtual: https://events.vtools.ieee.org/m/345495
LOCATION:Room: Room 105\, Bldg: Computer Science Building\, Princeton Unive
 rsity\, Princeton\, New Jersey\, United States\, 08544\, Virtual: https://
 events.vtools.ieee.org/m/345495
ORGANIZER:dmancl@acm.org
SEQUENCE:2
SUMMARY:Music\, Music Representation\, and Music Retrieval
URL;VALUE=URI:https://events.vtools.ieee.org/m/345495
X-ALT-DESC:Description: <br /><p>Music is an art\; a performing art\; and a
  fundamentally nonrepresentational performing art. Each of these character
 istics has a profound effect on how musical information can be represented
  and therefore on how it can be retrieved. As an art\, numerous works in a
  given medium use the same elements\, but artists creating new works use t
 hem in novel ways almost constantly. In general\, a performance of a music
 al work is not the work itself. Any performance is simply an instantiation
  in sound of the work\, one of a myriad of possible instantiations. The wo
 rk itself can be described by music notation in what is called a score. Fi
 nally\, being nonrepresentational means that everything is abstract: music
  need not be\, and usually is not\, focused on objects from the real world
 .</p>\n<p>This talk will also briefly discuss retrieval of music from comm
 on representations\, including both audio and the remarkable edifice of Co
 nventional Western Music Notation (CWMN). The talk will show examples of n
 otation produced by an experimental version of the Nightingale music-score
  editor\, notation that for the first time enables CWMN to represent preci
 sely what happens during a note.</p>
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