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DTSTART:20250309T030000
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DTSTAMP:20250607T173359Z
UID:DD7F9968-3FAA-4E10-9EEC-F8F508FC807D
DTSTART;TZID=America/New_York:20250607T120000
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DESCRIPTION:Haiga - The mixing of a Haiku or Senryū with an image\, the jo
 inder creating something new. While the poem and image can stand on their 
 own\, together the combination forms a unique and more compelling genre. D
 uring the Edo period (1602–1869)\, a new visual poetry form was born\, c
 alled Haiga. Haiga is a haiku/senryu poem combined with a painting or draw
 ing. Haiga blends a poem with a picture that shows the essence of the poem
 \, or commented upon it in some way. Creating haiga is thought to be a typ
 e of Buddhist meditation. The Japanese painter Yosa Buson is widely consid
 ered second only to Bashō as a master of haiku\, and is considered the fa
 ther of haiga. Modern haiga often combines a poem with a photograph or pai
 nting. Traditional haiga will be presented and discussed as will a variety
  of contemporary haiga.\n\nNew visual poetry form was born\, called Haiga.
  Haiga is a haiku/senryu poem combined with a painting or drawing. Haiga b
 lends a poem with a picture that shows the essence of the poem\, or commen
 ted upon it in some way. Creating haiga is thought to be a type of Buddhis
 t meditation. The Japanese painter Yosa Buson is widely considered second 
 only to Bashō as a master of haiku\, and is considered the father of haig
 a. Modern haiga often combines a poem with a photograph or painting. Tradi
 tional haiga will be presented and discussed as will a variety of contempo
 rary haiga.\n\nSpeaker(s): Bob\n\nAgenda: \n\n\nVirtual: https://events.vt
 ools.ieee.org/m/487718
LOCATION:Virtual: https://events.vtools.ieee.org/m/487718
ORGANIZER:hsingh@eng.wayne.edu
SEQUENCE:31
SUMMARY: Haiga – More than its parts
URL;VALUE=URI:https://events.vtools.ieee.org/m/487718
X-ALT-DESC:Description: &lt;br /&gt;&lt;div data-ogsc=&quot;black&quot; data-olk-copy-source=&quot;
 MessageBody&quot;&gt;Haiga - The mixing of a Haiku or Senryū with an image\, the 
 joinder creating something new. While the poem and image can stand on thei
 r own\, together the combination forms a unique and more compelling genre.
  During the Edo period (1602&amp;ndash\;1869)\, a new visual poetry form was b
 orn\, called&amp;nbsp\;&lt;em data-ogsc=&quot;&quot;&gt;Haiga&lt;/em&gt;. Haiga is a haiku/senryu po
 em combined with a painting or drawing. Haiga blends a poem with a picture
  that shows the essence of the poem\, or commented upon it in some way. Cr
 eating&lt;strong data-ogsc=&quot;&quot;&gt;&amp;nbsp\;&lt;/strong&gt;haiga is thought to be a type o
 f Buddhist meditation. The Japanese painter&amp;nbsp\;&lt;u data-ogsc=&quot;&quot;&gt;Yosa Bus
 on&lt;/u&gt; is widely considered second only to Bashō as a master of haiku\, a
 nd is considered the father of haiga. Modern haiga often combines a poem w
 ith a photograph or painting. Traditional haiga will be presented and disc
 ussed as will a variety of contemporary haiga.&amp;nbsp\;&lt;/div&gt;\n&lt;div data-ogs
 c=&quot;black&quot; data-olk-copy-source=&quot;MessageBody&quot;&gt;&amp;nbsp\;&lt;/div&gt;\n&lt;div data-ogsc
 =&quot;black&quot; data-olk-copy-source=&quot;MessageBody&quot;&gt;New visual poetry form was bor
 n\, called &lt;em data-ogsc=&quot;&quot;&gt;Haiga&lt;/em&gt;. Haiga is a haiku/senryu poem combi
 ned with a painting or drawing. Haiga blends a poem with a picture that sh
 ows the essence of the poem\, or commented upon it in some way. Creating&lt;s
 trong data-ogsc=&quot;&quot;&gt;&amp;nbsp\;&lt;/strong&gt;haiga is thought to be a type of Buddhi
 st meditation. The Japanese painter&amp;nbsp\;&lt;u data-ogsc=&quot;&quot;&gt;Yosa Buson&lt;/u&gt; i
 s widely considered second only to Bashō as a master of haiku\, and is co
 nsidered the father of haiga. Modern haiga often combines a poem with a ph
 otograph or painting. Traditional haiga will be presented and discussed as
  will a variety of contemporary haiga.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Agenda: &lt;br /&gt;&lt;p&gt;&amp;
 nbsp\;&lt;/p&gt;\n&lt;p&gt;&amp;nbsp\;&lt;/p&gt;
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